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Matthew Bellamy - biography, photo, personal life, news, songs 2018

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Name: Matthew Bellamy

Birthday: June 9, 1978 (41 years old)

Place of Birth: Cambridge, UK

Height: 170 cm

Weight: 68 kg

Eastern horoscope: Horse

Musical projects: Muse

Career: Foreign musicians 230 place

Photo: Matthew Bellamy

The first songs of Matthew Bellamy

In 1990, our today's hero moved with his family to the city of Teignmouth, which was distinguished by its variable weather. The population of the city was small, the level of infrastructure development was very deplorable. That is why the only hobby for the young guy was music. He began to methodically learn to play the guitar, dreaming of getting into one of the local teenage groups. After Matthew's parents divorced, and he began to live with his grandmother, music became his only outlet.

Some time later, our today's hero met with other musicians of the Muse group. It all started with the fact that Matthew Bellamy began performing in the group of Dominic Howard. At first, the musical group was called Gothic Plague, but subsequently the name repeatedly changed. As, however, the composition of the team. So soon the bass player Chris Wollstenholm appeared with the school group, with whom Matthew and Dominic were friends before. Subsequently, this trinity made up the backbone of the entire team.

As for Matthew Bellamy himself, he began to write his first songs in high school. At first, his compositions did not cause general delight, but because the group had to play in half-empty bars and clubs. However, as the musicians say, it was during this period that they first decided for themselves that they would certainly become popular and famous. In the same period, musicians also refused to perform cover songs. After leaving school, Matt left the former team for a while and went on a long trip through Europe. During this period he visited Spain, Italy, Greece. This fascinating journey allowed him to gain experience, as well as bring home a lot of new experiences and even some new songs to England. So, in particular, during a trip to Greece, the Englishman wrote the famous composition “Muscle Museum”, which later became a real hit.

Returning home, Matt Bellamy began to play again with the former team, and in parallel with this work as an artist and designer. However, he did not work long in the new place. Just a few months later, our hero today met representatives of the label Dangerous Records, who were very interested in the work of Muse and offered the guys the first contract.

Biography

The name of Matthew Bellamy from music lovers around the world is associated with the work of the legendary team "Muse" ("Muse"). A guitarist, keyboard player, vocalist and, of course, the creator and permanent leader of this group, Bellamy has been a true rock legend for decades and, despite his impressive stage experience, continues to gather full halls of fans together with the group.

Matthew Bellamy: biography

The name of Matthew Bellamy from music lovers around the world is associated with the work of the legendary team "Muse" ("Muse"). A guitarist, keyboard player, vocalist and, of course, the creator and permanent leader of this group, Bellamy has been a true rock legend for decades and, despite his impressive stage experience, continues to gather full halls of fans together with the group.

Childhood and youth

Matthew James Bellamy was born in British Cambridge on June 9, 1978. The zodiac sign of the artist is Gemini. Passion for music came to Matthew as a child, and it was no coincidence: the boy’s father, George Bellamy, participated in several groups. One of them, the band “The Tornados”, was even popular with fans of rock music. It is not surprising that Matthew also had dreams of stage and fame. True, other children of George (except Matthew, the family had two more children - an older sister and younger brother) showed no interest in music.

Musician Matthew Bellamy

Matthew got the “inheritance” from her mother too - she was fond of otherworldly entities and even, according to her own statement, talked with the dead and spirits. Bellamy himself later seriously puzzled by the idea of ​​a world conspiracy, the machinations of the world "government", the Illuminati and the aliens, the contact with whom the powers that be supposedly hide.

When Matthew was a teenager, his parents divorced. The situation was such that the young man had to educate his grandmother. In the same period, in order to express experiences and fulfill oneself, the young man seriously began to master playing the guitar. Bellamy later admits in an interview that he wanted to join Dominic Howard’s local band “Gothic Plague” and prove to his parents and others that something was worth it.

Matthew Bellamy in his youth

The plan was a success, and over the next 2 years, the budding musician honed his skills and gained experience in this team. In the same period, Bellamy began to write his own songs: first "to the table", and then tried and performed them. Soon, the repertoire of “Gothic Plague”, playing mainly covers of popular compositions, was replenished with tracks by Matthew. At first, the listeners did not appreciate the new items, but gradually the musician began to have fans.

After some time, after graduating from school, Bellamy went to travel around Europe. This journey, according to the musician, greatly influenced his worldview, filling in the gaps in education. It is also noteworthy that on this trip, while in Greece, Matthew wrote the legendary composition "Muscle Museum".

Music

In 1997, at a concert by Bellamy and his comrades, a representative of a record company accidentally turned up. The performance impressed him so much that the very next day the group was offered a serious contract. This was the beginning of the creative biography of the legendary Muse team and Matthew Bellamy's career.

Matthew Bellamy in the Muse band

Two years later, the band released their first album, dubbed Showbiz. The disc immediately became popular, and the team went on the first large-scale tour, winning new fans. The second album, Muse, was released in 2001. Both records combine emotionality, expressiveness and, of course, the unique vocals of Matthew. According to Bellamy, in his youth he really fully corresponded to the image of the lyrical hero of his compositions.

But the next album - “Absolution”, on the contrary, turned out to be lyrical and even somewhat depressing. At that time, Matthew Bellamy often complained about problems in his personal life: a young man suffered from the fact that women perceived him as a rock star, and not as an ordinary guy. This interfered with the relationship and made the musician worry.

Matthew Bellamy song "Muscle Museum"

In addition, the artist’s fascination with the theory of the world conspiracy was reflected in this disc. As Matthew admitted, the composition "Ruled by Secrecy" was a reflection of the book of the same name by Jim Marrs, dedicated to the secret power.

The 2006 album “Black Holes and Revelations” is also devoted to the themes of a conspiracy of authorities and the possible capture of the Earth by aliens, but its sound is not so gloomy. By the time of its release, Muse's work had already become popular all over the world, which was confirmed in numerous awards and awards.

Matthew Bellamy on stage

So, in 2008, members of the group - Matthew Bellamy, Dominic Howard and Chris Wolstenholm - received the title of Honorary Doctors of Arts. And two years later, the musicians were recognized as the authors of the best guitar riff of the decade (we are talking about the composition "Plug In Baby").

Music lovers also note the unique range of voice by Matthew Bellamy, who set the style for the group’s creativity. Its recognizable falsetto, complemented by virtuoso guitar and piano losses, makes the team's work unique.

Matthew Bellamy's song “Starlight”

It is noteworthy that the first albums of the group were often compared with the work of the “Radiohead” and “Queen” teams, but the members of “Muse” managed to prove their individuality with further compositions. Bellamy himself often emphasized that he was a fan of Sergey Rachmaninov’s music.

In the list of compositions of the Muse group over the years of creativity, many soundtracks have accumulated. The “filmography” of musicians already has several dozen points, and it is constantly updated. The most famous were the songs written for the film “The Tourist” (composition “Starlight” - “Starlight”), the series “Doctor Who”, the saga “Twilight”, as well as for the film “The Harvest” with Cecile de France and Mayvenne Le Besco .

Personal life

Personal life Matthew Bellamy is interested in fans no less than creativity. At first, the high timbre of the artist’s voice even provoked a wave of gossip about the artist’s orientation, but these rumors were not confirmed.

Matthew Bellamy and Kate Hudson

The first high-profile novel of the musician was a relationship with actress Kate Hudson. The lovers even celebrated their engagement, and in 2011, the girl gave Matthew the firstborn - Bingham’s son, Hawn Bellamy. Unfortunately, after another three years, the couple announced their separation.

The musician did not stay alone for long: already in 2015, photos of Matthew Bellamy appeared in the company of actress and model Elle Evans, and after a while the couple officially confirmed the relationship. In 2017, it became known that Ell would soon become the wife of a musician - on Instagram, the girl posted a picture of a beautiful ring on her finger and talked about the engagement with Matthew.

Matthew Bellamy now

Now Matthew Bellamy and his bandmates are busy preparing a new album. It is already known that it will be released in November 2018.

Muse The Dark Side Song

Recall: in February, the team already presented one track from the upcoming album - “Thought Contagion”, and at the end of August a video with a guitar solo from another new song “The Dark Side” appeared on the musician’s Instagram.

Social networks and news

Great Russian community about Matthew

And their twitter below.

The early years and the first albums

At the age of 18, Bellamy left the house and went to Exter (the main city of the county of Devonshire), where he lived and worked with another house painter. This turns out to be an incredible story told by a charming narrator. It doesn’t sound so strong. But Bellamy's friend was a drug dealer, one of those who first distributes them among friends, turns this activity into something more serious, and ultimately ends up in jail.

In the Muse Black Holes and Revelations album, Bellamy is far more optimistic than earlier, darker themes, still sticking to his old concepts. The Exo-Politics track refers the listener to the threat of Zeta's newcomers and suggests that “our leaders are hiding the truth from people” (“it's just our leaders in disguise”), raising the theme of conspiracy theory, according to which governments withhold alien invasion. This problem is being actively developed by Steven Greer, offering everyone who has such an opportunity (voluntary society informants with access to sealed sources, such as the last German scientist Werner von Braun, who worked for NASA) politicians, the media and viewers around the world to participate in his Disclosure Project.

Great success musician Matthew Bellamy

Moreover, for their contribution to the development of cultural heritage, all members of the Muse group received honorary doctorates in art from the University of Plymouth, which is also eloquent proof of the success of the team.

Among other things, it is also worth noting the fact that compositions written by Matthew Bellamy and Muse can be heard in many Hollywood films. Among such films are “Twilight” “Tourist”, “Knight of the Day”, “Password Swordfish”, as well as the series “Soprano Clan”, “Gossip Girl” and “Supernatural”. Among the famous fans of the group are Charlie Sheen, Johnny Depp, Mikhail Grabovsky, Jensen Ackles, Andrew Lincoln, as well as many other stars.

Facts about MB

From the late 90s to the beginning of 2004, Matt had problems with alcohol (especially at the end of Showbiz ery - at the beginning of OOS), he smoked more often than was necessary for the health of his ligaments, which affected the ability to draw high notes in songs. For a very long period during the Origin Of Symmetry Tour, he ruined his health for weeks without eating anything except wine, hallucinogenic mushrooms, pills (light drugs), smoked several jambs a day, and organized unsafe orgies with group fans, unfamiliar girls and women prostitute. This made the group managers think only when they finished the gig in one city and headed to the next, and only there, in another city, they realized that they had lost Matt, who at that time could not get out of his long binge and hallucinations, which he introduced he was depressed and he deliberately stayed in the previous city, then justifying himself with the fact that "he was simply lost." They returned after him, delivered to the concert venue, where the gig was supposed to be, but Matt escaped again, and found him at night in one of the local casinos. The concert, of course, was canceled, but after this incident, managers began to monitor him every step, they fed him and limited him in drugs and alcohol. They still couldn’t completely take them away from Matt, because according to him, "mushrooms are a natural drug, not a synthetic one, and taking it does not go against nature, but simply expands your consciousness." Thanks to one such long-lasting hallucination, Micro Cuts and Citizen Erased were written.

Muse Leader Matthew Bellamy on Eurasia, Drones, Conflicts and Rachmaninoff

The British band Muse will perform on June 21 at the Olimpiysky sports complex in Moscow during a tour dedicated to the new Drones album. Lenta.ru spoke with group leader Matthew Bellamy about stadiums, America, the redistribution of power in Eurasia, Berlioz, Rachmaninoff, democracy and Nazism.

Lenta.ru: In this tour you are using life-size guided models of fighter aircraft. Will there be drones at a Moscow concert?

Matthew Bellamy: Yes they will. In general, this concert is the first performance in Moscow with full production. Previously, it was necessary to adapt to those conditions: either it was technically impossible, or it was very expensive, or it took a very long time to cook. But this time we will show in Moscow exactly the same show, as, for example, in London, without omissions.

You have already been to Russia, and more than once. Did anything special happen to you here?

Yes. When we arrived in Russia for the first time, we were very surprised by the number of our fans. And it was very different from other places. It was ten years ago, and we saw a lot of very young spectators, teenagers. After the concert, they went for a walk, looked at Red Square, and a crowd of 20-30 fans went everywhere behind us. They talked to us in a simple way - in a good sense of the word, and for me it was a rewarding experience. I felt flattered that people in such a distant country and not like the UK understand our music. Russia surprised me with an unexpectedly attentive attitude to our music.

Has your perception of the world changed after these tours?

Yes, I think that my views on the political situation in the world have changed a lot during this time. When you live in the UK, not going abroad, it begins to seem to you that the problems of your country are world problems, but in fact these are simply problems of the UK. When you start traveling, you understand that a lot of things happen in other countries. There is a different ideology, a different view of things. Of course, when you travel the world and see different cultures, it changes you.

What do you think about the current situation in the world?

I think that the United States is now more concerned about its internal affairs than about foreign policy. This will obviously lead to changes in Eurasia.The last 20-30 years in this region has been strongly influenced by American politics. When America begins to reduce its influence in the world, I think this will lead to a redistribution of power in Eurasia. There may be an expansion of China in East Asia, and Russia in Central Asia. Western Europe may be awaiting some restructuring. Eurasia has had several decades of peaceful life, but in the future this situation may change. Perhaps partly because US people are less interested in Eurasia than before.

Your latest Drones album is conceptual with a clear structure. In fact, this is a kind of story.

Yes, it is built according to a certain scheme and in a certain sense touches on the issues of Nazism, but Nazism of a special kind. The clash of human and technological, the decrease in human participation in wars, the increase in technology, a force that is sometimes beyond human control, artificial intelligence, as well as the loss of human emotions, compassion - these are the topics that I wanted to develop in this album.

Do you have creative conflicts in the group? How do you solve them?

In our group, in general, democracy. There are three of us, and making decisions is easier - two against one. If there were four of us, everything would be more complicated: if two people want one, and two want the other, it is much more difficult to agree. And three is a number that simplifies a lot. But we, of course, discuss everything, talk, everyone's opinion has weight, but the majority makes decisions.

In the history of Muse, there was a case when an American company demanded to rewrite some songs, because she did not like the way they sound. Have you often come across such pressure from record companies?

This was the only such case. We are an independent group, and they usually did not tell us what to do. Our choice is to do what we want, otherwise it makes no sense for us to do it at all. That story was a very important turning point in the history of our group, because at first we went along the path typical of a British group. It was believed that British groups must definitely succeed in America. And then we saw that this requires changing our music. And then we decided to forget about America and began to focus mainly on Europe. In 2001-2002, we toured Europe a lot, because we wanted to play music for those people who are really waiting for it. And it changed us a lot, we strengthened our fan base in Europe, and established close ties. It was very natural, because I was always close to European music, I liked bands from Belgium and Holland, I really like classical music, especially Russian - Rachmaninov, as well as French - Berlioz. In 2003-2004, we nevertheless got to America, and everything turned out well, but that incident greatly influenced us: we abandoned the traditional scheme and went our own way.

Muse has a reputation as a powerful concert group, and usually you play in large venues, in stadiums. What was the smallest venue you ever performed on?

We played in the bedrooms when we just started. We had to play at all kinds of home parties - it happened in the living room or - yes, right in the bedroom. Man has six spectators. Here are probably our smallest sites.

When did you just start, did you expect to play in stadiums?

At the very beginning, when we were 18-20 years old, we just wanted music to make a living. We are fully committed to music. Somehow, they did not think about the size of the sites. But a little later, there was the experience of performing in medium-sized clubs, about 200, and then in the theater hall - about 1000 people. And then there was such an idea that maybe we can achieve something more. But I never expected to play in a football stadium. We grew up in the era of bands such as Nirvana, Rage Against The Machine, and these bands never played in stadiums, in huge arenas. When we saw Nirvana, it seemed to us that the theater was the largest venue for such a group.

Now you have a big world tour. How are you on tour? After all, there are those who like it, and those who are burdened by traveling, hotels and life away from home.

In fact, you feel both. There is only one side. Usually at the beginning of the tour we have a lot of enthusiasm, we are glad to have the opportunity to go to different places, play new songs, experiment a lot at concerts. Sometimes, of course, you get tired, but we have been touring for many years and have learned to keep a balance between family life, the desire to stay home and work. We try not to make long trips: two, maximum two and a half weeks - and we return home for a ten-day break. Often we take our loved ones and children with us - we arrange holidays for them. It is very important to find a balance in this matter. It is difficult, but there must be a balance. Thus, we can enjoy trips, travels, movements around the world and at the same time do not tear ourselves away from home and from the people we love.

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